Shaabi music is a popular genre in the Middle East that incorporates traditional Arabic rhythms with modern beats. It is known for its catchy melodies and upbeat tempo, often featuring electronic instruments and synthesizers. The lyrics often touch on themes of love, relationships, and everyday life. Shaabi music has gained popularity in recent years, with many artists achieving mainstream success and attracting a wide audience.
Here you can see the popularity of Shaabi genre over time. This graph shows albums and singles releases count by year and decade.
832 releases
Explore shaabi history by listening to songs from every decade. Click on the decade to view songs.
Here is a list of shaabi artists on Spotify, ranked based on popularity, who exemplifies the shaabi genre. You can find out what shaabi genre sounds like where you can preview artists or sort them the way you want, just click the headers to sort.
| # | name | popularity | followers |
|---|---|---|---|
| 1 | 61 | 5325409 | |
| 2 | 59 | 2171354 | |
| 3 | 57 | 1328948 | |
| 4 | 56 | 2077679 | |
| 5 | 51 | 829074 | |
| 6 | 57 | 4478566 | |
| 7 | 48 | 756691 | |
| 8 | 56 | 1422187 | |
| 9 | 42 | 179114 | |
| 10 | 35 | 164023 | |
| 11 | 36 | 396194 | |
| 12 | 46 | 20020 | |
| 13 | 34 | 378684 | |
| 14 | 40 | 329211 | |
| 15 | 40 | 489161 | |
| 16 | 35 | 695555 | |
| 17 | 42 | 656419 | |
| 18 | 40 | 49709 | |
| 19 | 42 | 102690 | |
| 20 | 41 | 5708 | |
| 21 | 41 | 328490 | |
| 22 | 40 | 366874 | |
| 23 | 40 | 4520 | |
| 24 | 38 | 19661 | |
| 25 | 33 | 18836 | |
| 26 | 32 | 170115 | |
| 27 | 31 | 2845 | |
| 28 | 24 | 166568 | |
| 29 | 29 | 63662 | |
| 30 | 27 | 14359 | |
| 31 | 24 | 38172 | |
| 32 | 21 | 438852 | |
| 33 | 24 | 176060 | |
| 34 | 22 | 39099 | |
| 35 | 21 | 10050 | |
| 36 | 16 | 25961 | |
| 37 | 20 | 4131 | |
| 38 | 18 | 4608 | |
| 39 | 8 | 2667 | |
| 40 | 7 | 3298 | |
| 41 | 5 | 523 | |
| 42 | 3 | 1730 | |
| 43 | 2 | 374 | |
| 44 | 1 | 19 |
Enjoy this playlist of popular shaabi music. We made this playlist using an algorithm created by our team.
